Mendelssohn in Birmingham is an exciting new recording project with the City of Birmingham Symphony Orchestra and its Principal Guest Conductor, Edward Gardner. It celebrates Mendelssohn’s special relationship with the city’s Town Hall and will feature the complete symphonies, recorded there. It was a venue much loved by Mendelssohn, which saw him conduct many of his own works there, including premieres. Mendelssohn in Birmingham also encompasses a major concert series at the Town Hall which will run alongside these recordings.

Inspiration for the Overture The Hebrides sprang from experiencing the seas and landscapes of the Scottish Western Isles. The famous wave-like repeated patterns of its opening set the scene for a vivid work that has been a template for composers of ‘sea’ music ever since. Symphony No. 5 ‘Reformation’ was completed in 1832, and although the last of his numbered symphonies, it was the second to be composed. Typically for him, Mendelssohn had doubts about its quality and soon wrote it off. This self-criticism is highly exaggerated, for it is a finely crafted and original work. Similarly, despite the success of its premiere in 1833, Mendelssohn significantly revised and eventually abandoned his ‘Italian’ Symphony, No. 4. Fortunately, the original score from the premiere was recovered and published, posthumously, in 1851. The symphony is relatively short and its pervasive lightness of touch lends it a unique character and charm.